Somewhere in the middle of the film, as Driver’s Cesar is speaking to camera, the screen briefly went blank. There was a confused smattering of applause from those who thought it was all over—if only we’d been so lucky—but then, with the lights still down, a man ran onto the stage in front of the cinema screen from the wings, holding a long microphone.
…Positioning himself on one side of the stage, and now lit by a spotlight, the man then faced Driver, now back on screen, and asked him a question, as if participating in some strange pandemic-era Zoom press conference. Driver answered, and the man then rushed off stage again. It was so odd, and felt so completely pointless, that I didn’t know how to respond.
Originally published as Megalopolis could have let audiences ask Adam Driver questions during showings by Wes Davis on .
